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If you thought the electric car died a slow, tragic death, you're right. And if you're like filmmaker Chris Paine, who helped document its demise in Who Killed the Electric Car? or the inventors and advocates in his new film, Revenge of the Electric Car then you believe, beyond a shadow of the doubt, electric can and will power vehicles of the future. Read what Paine told the The Independent's Katherine Brodsky after his film premiered.

Thanks to the candid film journal written by Valerie Weiss throughout the making of Losing Control, The Independent had an insider's view throughout its production. Now it's screening at venues throughout the US and Maddy Kadish explains why it's must-see viewing.

Filmmaker Valerie Weiss shares her experiences financing, planning, and producing her independent feature film, Losing Control, through a behind-the-scenes series. In this installment, Weiss writes about how she chose and collaborated with her editor, colorist, sound mixer, and others involved with the tricky but rewarding post process.

Lights fall and break, talent doesn't show, locations fall through. The process of making a film can be stressful. So, as director Valerie Weiss points out, it's helpful to surround yourself with a supportive family—both on-set and off.

Filmmaker Valerie Weiss shares her experiences of financing, planning, and producing her first independent feature film Losing Control in this monthly film journal. In her third installment, Weiss writes about the trials and triumphs she experienced during pre-production.

The Independent scours the United States to find the 10 most innovative animation programs the country has to offer. The schools on this comprehensive list were picked based on reputation, creativity, and where their students find work after they earn their diplomas.

In The Independent's new series Film Journal: The Making of an Independent Feature, filmmaker Valerie Weiss will share her experiences of financing, making, and marketing her first independent feature film Losing Control. Here, she discusses her inspiration for making the film and her method of fundraising.

The creation of the Independent Television Service in the mid-1990s as a source of funding for independent filmmakers was seen at the time as one of the great successes in the independent film movement. Today, the organization has a budget exceeding $12 million, and provides key funding to hundreds of films each year, including approving many outright grants in the six-figure range. All ITVS projects are supposed to completed and groomed for public television—but, in fact, one in three films funded by ITVS do not make to a major PBS series. Why is that? In more than a dozen interviews with filmmakers and people familiar with ITVS, some complaints emerge: namely, that ITVS is an overbearing funding partner that deploys "bulldog" lawyers and shrouds the funding process in secrecy. The Independent's Michele Meek takes a look at the organization and the independent filmmakers who rely on it, to find out what's going on.

The Independent's Doc Doctor Fernanda Rossi analyzes the success of Plagues & Pleasures on the Salton Sea (view the trailer), directed by Chris Metzler and Jeff Springer. The filmmakers talk about sleeping in their car, having a camera melt in the heat, landing John Waters as a narrator, and re-editing their film after its world premiere at Slamdance. Also, check out Rossi's last "Anatomy" column on The Longing. Attention Colorado Filmmakers: The Doc will be conducting her signature workshops on story structure and trailer mechanics in Denver on May 17 and 18; she is also speaking at the Boston Media Market on May 30. For details, visit Documentarydoctor.com.