Distributor Q&As
Distributor FAQ: FilmBuff
In an interview with FilmBuff's Chris Horton, The Independent asks about the evolving landscape of digital distribution, and whether or not it's an independent filmmaker's new best friend.
July 30th, 2010 | Courtney Sheehan
More and more filmmakers use digital release platforms like iTunes, Netflix Streaming, and Video-on-Demand. Chris Horton, head of acquisitions for FilmBuff, explains the role his company can play in digital distribution.
FilmBuff is a digital distribution service provided by Cinetic Rights Management (CRM). Although FilmBuff is less than three years old, its sister company, Cinetic Media, has been a major player in film sales since 2001.
Exhibitor and Distributor FAQ: Seattle's Northwest Film Forum
Seattle’s Northwest Film Forum exhibits films, funds production, helps with distribution, and offers education and equipment to the independent community in the Pacific Northwest.
July 2nd, 2010 | Courtney Sheehan
Located in Seattle, the Northwest Film Forum (NWFF) is an invaluable resource for independent filmmakers in the Pacific Northwest, providing production grants and access to equipment and post-production facilities. The Independent spoke with film programmer Adam Sekuler to get the scoop on how NWFF puts together its exhibition calendar and their support programs for regional filmmakers, as well as some thoughts on the future of independent film distribution.
Located in Seattle, the Northwest Film Forum (NWFF) is an invaluable resource for independent filmmakers in the Pacific Northwest, providing production grants and access to equipment and post-production facilities. The Film Forum also boasts a 364-day exhibition calendar of independent films, many of which are hard to come by at other theaters in the region.
Distributor FAQ: Udy Epstein of Seventh Art Releasing
Ten years since their last interview with The Independent, co-founder Udy Epstein talks about the changing face of Seventh Art Releasing
June 10th, 2009 | Emily Cataneo
In June 1999, The Independent asked Seventh Art Releasing where the company would be in ten years (read the original interview here). They answered, “Still open for business doing films we like.” And Seventh Art has done just that. And though there have been some changes, Epstein insists that despite the technological and economic turmoil of the past ten years, the company’s original vision has stayed the same. Exactly a decade after the last interview, The Independent’s Emily Cataneo sits down with co-founder Udy Epstein to find out what those changes are.
Seventh Art Releasing is a distributor and sales company founded in 1994 by Jonathan Cordish and Udy Epstein. The company is known for distributing award-winning documentaries and fiction films, many dealing with Jewish culture, lesbian and gay issues, human rights, music, and popular culture.
Distributor FAQ: Vanessa Domico of Outcast Films
Q & A with Vanessa Domico, founder of Outcast Films, an LGBT distributor.
February 19th, 2009 | Nikki Chase
Five years ago Vanessa Domico saw a gap in the distribution of LGBT titles and decided it was time to pull up her sleeves. Using her expertise as a director of distribution, she founded Outcast Films, now one of the foremost LGBT distributors in the country, with critically acclaimed releases like their most recent film She's a Boy I Knew (view the trailer here). Outcast is more than a distributor -- under Domico's leadership it also focuses on education and activism on behalf of the LGBT community.
Vanessa Domico was tired of seeing too few LGBT films, so she drew on her expertise as a film distributor and founded Outcast Films.
Distributor FAQ: Talking to Oli Harbottle of Dogwoof Pictures
A look at the inner-workings of the successful distribution company, Dogwoof Pictures.
December 9th, 2008 | Nikki Chase
Dogwoof Pictures, a London-based distribution company, is experimenting with modes of distribution with Dogwoof Indie, which allows filmmakers to keep the rights to their film. Dogwoof is currently celebrating their most recent Dogwoof Indie release from filmmaker Franny Armstrong, The Age of Stupid (view the trailer here), starring Pete Postlethewaite as a man in 2055 who looks back on old footage of 2008 and wonders why we didn't stop global warming when we still had the chance. The Independent's Nikki Chase picks the brain of Dogwood release coordinator, Oli Harbottle, to get the scoop on this thriving distribution company.
Already a successful London-based distribution company, Dogwoof has launched its own DVD store, an independent distribution site called Dogwoof Indie (which allows filmmakers to keep all rights to their film), and Dogwoof TV, a platform that brings independent movies from the web to the television (in conjunction with blinkx BBTV).
Boom or Bust: The Cinema Guild's Ryan Krivoshey
Cinema Guild director of distribution, Ryan Krivoshey talks with the Independent about the evolution of independent film distribution
September 1st, 2008 | Jericho Parms
Ryan Krivoshey, the Cinema Guild's director of distribution, talks with The Independent about the evolution of independent film distribution, how the perception of the documentary has evolved since 9-11 and how Internet distribution has had an impact on the way films are seen.
Much has changed since 1968 when Philip and Mary-Ann Hobel created The Cinema Guild and television was the niche market for all things educational.
Case Study No. 3: "On Broadway"
Actor and producer Lance Greene talks about self-distributing "On Broadway" starring Joey McIntyre
April 8th, 2008 | Lynn Tryba
On Broadway, a movie about a working-class Bostonian’s attempt to stage a play in the back of an Irish pub, has received such a good response from film festival audiences around the country that the producers decided to self-release the film in Boston last month.
Case Study No. 2: "Buddy"
Filmmaker Cherry Arnold discusses self-distributing "Buddy," a documentary on Providence mayor Buddy Cianci
April 8th, 2008 | Lynn Tryba
Cherry Arnold didn’t know what she was in for when she started filming Buddy: The Rise and Fall of America’s Most Notorious Mayor. “If I had known all the work involved…,” Arnold says. “Pure ignorance kept me going. I underestimated by months at a time how long each step would take.”
Case Study No. 1: "The Sensation of Sight"
Filmmaker Buzz McLaughlin was so adept at self distribution, that he eventually caught the eye of a traditional distributor
April 8th, 2008 | Lynn Tryba
It’s no wonder Buzz McLaughlin feels some pride and relief. His New Hampshire-based film production company, Either/Or Films, just signed a distribution deal for its first movie, The Sensation of Sight, during the last week of March.
Adventures in Self Distribution: Three Case Studies
Three filmmakers talk about their experiences distributing their films themselves
April 8th, 2008 | Lynn TrybaUnless you get your film into the very top festivals like Sundance, Toronto, or Cannes, you'll probably have a hard time attracting interest from an established distributor. So how can you get your film in front of audiences? The makers of three successful indies—The Sensation of Sight, Buddy, and On Broadway (pictured)—chose to self-distribute. As The Independent's Lynn Tryba reports, this grassroots approach is hard work and there's no sure payoff. But self-distribution can work beautifully—turning a small film into a word-of-mouth phenomenon. Part 4 of our special report on distribution.
Long after they wrap their films, independent filmmakers struggle to get their projects seen by as many people as possible. A distribution deal with a mainstream distribution company is, of course, the Holy Grail. And in the quest for a deal, a filmmaker's family ties will often get strained, their bank accounts will dwindle, and their stress level will surge.
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